Psych rock outfit KILFEATHER released their latest full-length album Island of Forgotten Toys in November 2020 via Riot Records. Since the release of the album, KILFEATHER has been active in recording new material and returned with two singles at the back end of 2021, ‘Nightmares’ and 'Bummer'. Now Kilfeather are back with new single ‘Waiting to Get In’, now available on all digital platforms.
KILFEATHER’s furious new single ‘Waiting to Get In’ is a dinge rock tune purportedly about the trials and tribulations within the scenes of a city nightscape. This steadily paced odyssey has flavors of heavy rock Americana country twang, along with a nostalgic 90's backbeat, and is balanced with the psych garage aftertaste of today.
Liste/Buy 'Waiting To Get In' HERE
ABOUT KILFEATHER
K. Kilfeather is an American guitarist/singer/songwriter based out of San Diego, CA.
Since 2006, K. Kilfeather has written and released hundreds of songs while forming and fronting various bands over the years. His current project “Kilfeather” features a power trio of K. on guitar/vox, Mike McGuinness on drums, and Ben Doran on bass.
Kilfeather’s music has been referred to as “psych rock”; a sound that best describes a hazy concoction of garage rock & roll mixed with dingy elements of punk, classic metal, and pop music.
K. has shared the stage with a wide variety of artists and bands all across the west coast such as; Wayne Kramer (MC5), Kyle Gass (Tenacious D), Danny Carey (Tool), Steven Adler (GunsN’Roses), HR (Bad Brains), John 5 (Rob Zombie), The Obsessed, Supersuckers, Big Business, Death Valley Girls, LA Witch, SadGirl, WAAVES, Voodoo Glow Skulls, The Vibrators, and many more.
In spring 2020, Kilfeather caught the attention of Golden Robot Global Entertainment and was signed to their punk rock and alternative label, Riot Records.
His latest full-length album “Island of Forgotten Toys” is out now worldwide on GRGE/Riot and the new record “Armchair Revolutionaries” will be out mid to late 2022.
“Arguably Vegas’ most prolific musician”
-Las Vegas Review Journal
“A dash of rough-and-tumble psychobilly weirdness.”
LV Weekly
“Catchy hooks, screaming guitars, and an out-of-control rhythm section”
Heavy Magazine
“Upbeat guitar freak-out spanning a multiverse of punk & rock ‘n’ roll.”
Outburn Magazine
